Afreximbank’s fresh $118m creative bet needs open borders to pay off

Afreximbank has put $118 million on the table for Nigeria's creative economy, and the announcement landed at a moment when the sector is hungry for exactly this kind of commitment. The funding was unveiled at the Creative Africa Nexus (CANEX) WKND 2026 in Lagos, an event organised by the African Export-Import Bank through its Creative Africa Nexus programme and hosted by Nigeria's Federal Government alongside the African Union Commission and the AfCFTA Secretariat. The package is structured across three parts: a $75 million facility involving Afreximbank and the Development Bank of Nigeria, a $30 million financing arrangement, and a $13 million grant shared between NEXIM, SMEDAN and Afreximbank.

The goal is to help Nigerian creative businesses expand production, protect their intellectual property, and push further into international markets. That is a meaningful shift for a sector that has long struggled to attract capital that actually fits how creative industries work. Banks built around physical collateral have historically had little appetite for businesses whose most valuable assets are licensing rights, cultural IP and projected revenue from content.

That structural mismatch was front and centre in Lagos. Nathalie Kouassi Akon, IFC Advisors' Division Director for West Africa Gulf of Guinea, pointed to the urgent need for lenders to develop fluency in how creative businesses generate value. And Nobel laureate Professor Wole Soyinka put it plainly at the event: you cannot move from A to B without a dynamic relationship between vision and financing.

Still, money is only one piece of the puzzle. The conversations at CANEX made clear that financing alone cannot build a competitive creative industry. Without smoother cross-border movement for artists and goods, stronger IP protections across African markets, and clearer routes to reach customers continent-wide, fresh capital risks helping individual businesses grow in place rather than trade freely across Africa.

The creative economy has the talent and the cultural pull. The question now is whether the systems around it, financial, regulatory, and logistical, can catch up fast enough to match the ambition behind that $118 million bet.

Originally published by TechCabal.

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